Tag Archives: Psych

10 Landmark Records at Play It Again Records

mby flyer

 

These will be in chronological order.

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1. Simple Minds- New Gold Dream

Blame this band and this album for my opening a record shop. I was mildly obsessed with Simple Minds and wanted access to all the imports LPs, and singles. Glad I did it.

echo ocean

2. Echo & The Bunnymen- Ocean Rain

Biggest band in the shop, at least thru the Southfield years. Any Bunnymen news was huge. Especially tour news. Ocean Rain was the biggest selling Bunnymen record in the shop.

upside

3. Jesus & Mary Chain- Upside Down UK 7″

This is where things took a giant left turn. John Huston scoured the NME & Melody Maker every week. He asked me to order this. Then the Segal brothers came in and asked about it. Eventually I hired Michael and he and John took the store in a totally different direction then I would have. I have them to thank and blame(ha ha) for this. This is where the whole UK Indie thing started in the shop.

hatful

4. The Smiths- Hatful Of Hollow

The Smiths were obviously big news in the shop. The first few singles, This Charming Man and its gazillion mixes and then Accept Yourself, but the first album was just so underwhelming at least production wise. Then Hatful Of Hollow was released and at a really fair price for a gatefold import. This is where things really took off for the Smiths at the shop. The production was more stripped down and the effect was immediate.

It was also the Smiths that introduced us to the Warner Brothers Alternative Marketing department. These folks made it so much fun to work in the shop. Countless promos, meals, travel and lifelong friends. Jo, Bruce and Cathy who had she not locked her keys in the car outside my shop we may have never bonded like we did.

fire

5. Spacemen 3- Playing With Fire

This was the first Spacemen 3 record we could get in on a regular basis. It used to bum me out to constantly have to tell people we were out of Perfect Prescription or Sound Of Confusion never knowing when we would see them back in stock. This is also a fantastic record. Which helps.

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6. Mercury Rev- Yerself Is Steam

I remember the day this came in. Michael immediately put it on and I though to myself out loud this may be too noisy. Then track by track I just loved it. It was at this point I realized to keep my mouth shut and listen to my employees. Eventually we sold shitloads of Mercury Rev records. Only to be screwed every time they toured they stopped before Detroit.

loveless

7. My Bloody Valentine- Loveless

This could easily have been Isn’t Anything and maybe it should. We sponsored that Isn’t Anything tour at St Andrews. See flyer on top of page. I hope the roughly 100 people liked it. While Isn’t Anything has this beautiful yet brutal sound Loveless has a more feminine pretty sound. Soon anyone?

screama

8. Primal Scream- Screamadelica

I suppose this was the shop’s foray into dance music sort of. Such a happy record. It reminds me of the scene in High Fidelity where John Cusack says “watch me sell three copies of the Beta Bands’s 3 EPs”. You could do that with Screamadelica.

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9. Spiritualized- Lazer Guided Melodies

Not sure what to add to just how important this record was to the shop. It still is to me. So much so I wrote an entire blog on Spiritualized on this site. We all fawned all over this record. We became friends with the band too. I would say this was thee most important record in the history of the store.

voyager

10. Verve- Voyager 1

The story. 1000 pressed by Hut. Made to look like a bootleg. 400 destroyed by heat in a warehouse. We wound up selling 275 copies of this or nearly half the entire pressing. Why are there no used ones floating around Detroit? Too damn good probably.

 

There are some honorable mentions:

ride

Ride- Nowhere

Another HUGE band in the shop. Those early singles were so good. That built up to this. Massively popular. So much so we had a nickname for a customer Ride Girl.

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House Of Love- Destroy The Heart 12″

Another great UK band who’s early singles sold well but this one exploded out of the box. We were so into it we chose sides over the b-sides. Blind or Mr. Jo.

primitives

Primitives- Really Stupid 12″

Sounds nuts doesn’t it? Well this was a massive single in the store. We were so into this band we had all their UK tour shirts for sale hanging like flags from the ceiling in Southfield.

Remember that?

lips

Flaming Lips- Hit To Death In The Futre Head

First major label release by the Lips. What a great record this is. That Ronald Jones era was amazing. Played the hell out of it at the store.

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Screaming Tres- Buzz Factory

Pre grunge. Anyone could sell Nirvana records or Sub Pop stuff. I always loved Screaming Trees and it started with Buzz Factory. They knew how to add the right elements of psych and hooks yet still retaining that heavyiosity.

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Pixies- Surfer Rosa

Another record I thought might be a bit too noisy and they just took off.  I recall taking Michael to a Red Wings game where he kept pulling the tape out of his pocket and looking at it.

500

Galaxie 500- Today

I wasn’t sure what to make of this when it came in and got a lot of play. Eventually it crept into my subconscious and I became a fan. I love this record and it was certainly different than what was huge at this point.

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Verve- She’s A Superstar 12″

This is one magnifcent 12″. The extended version of this could go on forever as far as I am concerned. We sold a lot of it because this was the only way you could get it. That edited version on the Verve EP just doesn’t cut it. Nice try.

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Spiritualized- Fucked Up Inside

This is where my OCD got a little out of hand. Someone saw a blurb about this mail order only live LP/CD. I must have sent Dedicated’s office in London so many letters(pre email for the shop) and made way too many calls. Eventually we got the CDs and sold over 100. Then I found a shop in London that had them on vinyl and every trip I would buy 10 copies. This went on for 3 or 4 years. Could be the most beautiful sleeve ever.

low fi

Stereolab- Low Fi 10″

Stereolab deserve to be on this list somewhere and this is my favorite release by them. They were an important band in the late stages of the shop. With all those limited edtion things they did. Collectors heaven.

yc2 yc1

You Cant Hide Your Love Forever fanzine.

John Huston, Dave Segal & Michael Segal.

If you want a glimpse into just how much these guys knew and how passionate they were about music look no further than this fanzine. It still ranks as some of the best music writing I have ever read. To have it associated with the shop in any way was a huge feather in Play It Again’s cap.

 

 

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Link Wray 1971 S/T LP Polydor 24-4064

link 1971

Link Wray’s Polydor debut from 1971 sounds kinda like The Band meets The Rolling Stones, with a healthy side of Van Morrison playing gospel blues somewhere in the Mississippi Delta.

When someone gives a description like that I would hope this would be a record people would want to hear. I had always assumed Link Wray was just the rockabilly dude who wrote Rumble. Ever since a nondescript burned CD arrived on my doorstep from an angel in Scotland by way of Jason Spaceman my life changed musically.

This LP, Polydor 24-4064, is one of those gems that needs to be introduced to all your friends who appreciate any form of rock, country, blues or psych. It ticks all those boxes and more. This record and it’s brethren Mordicai Jones and Beans & Fatback that make up Link Wray’s Three Track Shack trilogy are played with such honesty and feeling they jump right out of the grooves. Oh yeah, they get funky too.  All this recorded in a converted chicken coop. I know right?

The opening track, La De Da, is a heartfelt gospel-ish song and when you close your eyes you imagine a full band with backup singers just romping and stomping their way thru this all with giant smiles on their faces. Kinda like one of those Saturday night get togethers you read about that happened all over the south and Appalachia. People just showing up with whatever instrument they own and joining in.

Take Me Home Jesus is a flat out gospel ballad sung with such honesty and conviction you immediately believe.

Juke Box Mama. This is as funky as this record gets. Link digs even deeper for the vocals on this track. The bass sets the tone here and the rest of this song falls right into place. Juke Box Mama actually swings with that funky ass bass.

Rise And Fall Of Jimmy Stokes is 1970’s country storytelling. This however goes way beyond country storytelling. Again the bass is the pulse of this song. It paces this track along at an even keel. Not far off from Link Wray’s first rap track.There is an amazing instrumental interlude with Link’s guitar and bass dueling against one another.

Fallin’ Rain is just a flat out gorgeous ballad. Link’s voice even sounds different on this track. When the back up vocals come in your heart just melts. This whole song is played seemingly effortlessly. Just a joy.

Fire And Brimstone is a stomper. This time Link’s acoustic guitar leads you into a land below the Mason Dixon line. His vocals are more guttural. F&B just takes off and doesn’t stop. There is an instrumental mid section that does not slow the F&B down one bit. Wear comfortable shoes for this track. Your feet wont stop moving(or stomping).

Ice People is soft yet dark. Once again so convincing and wonderfully played.

God Out West rocks. God Out West rolls. It makes you believe once again. You get that signature Link Wray guitar midway through the song. Best track on the LP in my opinion. Singing Hallelujah!

I cant decide if Crowbar is country storytellin’ or a Blues song. It is a microcosm of this whole LP. It meshes so many styles it almost defies description. Wicked guitar on this song too!

Black River Swamp is a country gospel song. Beautiful in its simplicity and exquisitely played. Another song in which Link Wray’s vocals stand out like yet another instrument.

Tail Dragger has the most aggressive electric guitar on the record. Yet there is that funky bass. Link’s vocals are also at their most aggressive here. Yet another confounding track as it swings along albeit aggressively.

This record entered my life out of nowhere. Being a disciple of all things Spacemen 3 and Spiritualized I never heard Jason Spaceman name check this LP in any interview. Thank god my friend Barry in Scotland was listening and picked up on it. Now I cant imagine my life without it.

I have turned on a lot friends to this record and it’s popularity is growing with each person doing the same. I am not sure what it is. Maybe the amazing honesty and conviction within the grooves. Maybe because it was recorded in a converted chicken coop and not at Muscle Shoals or in any studio. Perhaps it is because it sounds so effortless and like everyone playing is grinning from ear to ear knowing full well they are part of something special.

90% of the LPs you see for sale are cutouts which means this record never sold many copies. Now it sells for $30 to $50 regularly on line. I don’t work for them or have any other incentive other than to spread the word but Hip O Select have these CDs in replica die cut sleeves and it is remastered. It is a gorgeous package.http://www.hip-oselect.com/scr.public.product.asp?product_id=89e7f7f7-61f5-7f0f-c102-2527b55e2713&cat_id=42029550-8DEE-4E9C-B712-5F1511256DD9

Do yourself a favor. Buy one. Could be the best $20 you ever spent on a CD.